Corentin Le Roy’s “Violence” is a stark reflection on its namesake, the tension building through relentless arpeggios in both hands, deliberately avoiding overt melodrama. The piece concludes with a major chord (Who frequently employed the technique of ending a piece with a major chord, providing a powerful emotional release? Spoiller: The answer can be found in the next paragraph/track) before yielding to an ambient finale.
“Minor prelude” offers an intriguing “what if”: Bach’s iconic first prelude reimagined in a minor key. This simple yet drastic shift creates a captivating tension between familiarity and novelty, compelling the listener to follow its unexpected path. A really creative work!
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